The building was bought at auction and converted in 1830 by Josef Senoner da Costa, a Val Gardena businessman in Nuremberg. In 1899, Franz Moroder (de Lenèrt) purchased the house and transferred the headquarters of his 'Moroder brothers' company there from Plan de Mureda. He also opened the first bureau de change in Val Gardena in Cësa Costa. The hay barn next door belonging to the old farm site is still in its original state.

The wooden sculpture of Saint Barbara, patron saint of miners and railway workers, was carved by Johann Baptist Moroder in 1914. It was originally located in a specially designed niche above the former railway tunnel behind Ortisei parish church. The original is now in Museum Gherdëina, and a bronze copy is located near the old locomotive in Bahnhofstraße in Ortisei. 

This cultural asset is part of the tour "Ortisei: a stroll through the village centre and its history". 

The bronze bust of Luis Trenker by the sculptor David Moroder was created in 1984 while Trenker was still alive. The bust of the mountaineer, architect, actor, director and storyteller, who was born in Ortisei, was unveiled in its current location in front of Museum Gherdëina in 2001. It commemorates one of the valley's most famous sons, to whom the museum dedicates a whole special exhibition area.

The carved, brightly painted, and partially gilded wooden sculpture of Saint Ulrich stood in the old parish church at the cemetery. It is a late work by a sculptor from the Vinazer school and depicts Saint Ulrich, the patron saint, wearing a mitre and bishop's vestments, holding a staff, as well as a fish resting on the Book of Gospels. Ulrich was the Bishop of Augsburg around the year 1000. His veneration was brought to Val Gardena by the medieval lords of the manor. 

The carved, painted, and gilded nativity scene of the Adoration of Jesus by the three kings was displayed during Christmas in St. Jacob's Church. A sculptor from the workshop of Kassian Melchior Vinazer carved it around 1760. In addition to Mary with the Christ child, the scene includes Joseph, Melchior, Caspar, and Balthazar. The representation of Balthazar as African emerged in Bohemia during the late Middle Ages and became popular throughout Europe. 

The wooden sculpture of St. Martin on horseback with beggar comes from the workshop of the sculptor Vinazer around 1750. It depicts the legend of St. Martin coming across a semi-naked, freezing beggar. Having nothing but his weapon and garments upon him, he cuts his officer's cloak in two and offers the beggar one half. 

The figure of St Margaret of Antioch with a dragon was probably created around 1700 by a sculptor from the Trebinger workshop. It would have featured as part of a small family altar in the parish church of St Christina. During the neoclassical period, the multicoloured, partially gilded wooden sculpture was painted white to give the impression of marble. Only during cleaning in the 1990s did its original appearance re-emerge.

This cultural asset is part of the tour "St. Jacob and its over-500-year-old farms".

The sculpture of a curly-haired angel with gilded wings, dating back to around 1700, may have been carved in the workshop of Christian Trebinger. Notable features include the delicate facial features, a white drapery with a gilded border and a cloud on which the right foot seems to rest.

This cultural asset is part of the tour "St. Jacob and its over-500-year-old farms".

The carved, painted, and gilded ceiling relief was probably made in the second half of the 17th century in the workshop of the sculptor Vinazer for the ceiling of St. Jakob's Church. It depicts God the Father with his right hand raised in blessing and his left hand resting on the orb and cross, set against a blue starry sky. He is surrounded by a wreath of clouds and four winged angels. 

Junerëi (from juniperus = juniper) is a group of houses at 'Piz Dedora' by Cudan stream. The farms have been occupied since the early 16th century. The one-storey house bearing the name Junerëi on its eastern façade is a baroque structure. The Trebinger family has been running a major workship for baroque figurines and frame cutting here since 1662. Junerëi continued to be a centre for sculpture and craftsmanship into the 20th century.