The small bellerophon cuboid depicting St. George slaying the dragon was created by Luis Piazza da Cudan (born 1908). The work reflects Piazza's love of stylisation, which marked him out as one of the more innovative Gröden artists. A bronze copy of the original relief adorns the upper part of the fountain on the porphyry trough in front of the museum.

This crib in the shape of a 2.3-metre-high and 1.8-metre-wide winged altar was made in 1947 by Luis Insam from St. Ulrich for his family. The altar, reminiscent of neo-Gothic style, is carved from Swiss pine and is unvarnished. It depicts the three kings on their journey to Bethlehem, the shepherds' adoration and, on its wings, there are reliefs showing the nativity story, for which the artist deploys a rural farm setting.

The original summit cross at Sëurasas with the life-size figure of Christ comes from the young sculptors Vinzenz Peristi and Baptist Walpoth. It was fashioned out of Swiss pine in 1932 on that very spot on the mountain. The dramatic depiction of Jesus' emaciated body and anguished face is remarkable. Peristi fell during the Second World War, while Walpoth had already been killed in a hunting accident. There has been a replica in the place of the original since 1959.

The wooden sculpture of Saint Barbara, patron saint of miners and railway workers, was carved by Johann Baptist Moroder in 1914. It was originally located in a specially designed niche above the former railway tunnel behind St. Ulrich parish church. The original is now in Museum Gherdëina, and a bronze copy is located near the old locomotive in Bahnhofstraße in St. Ulrich.

The plaster sculpture of St Philomena, with martyr's palm, whip, anchor, and arrows, was created by the sculptor Dominik Mahlknecht. Born in 1793 at Rainel farm in Überwasser, he emigrated to Paris at the age of 16, where he rose to the position of royal court sculptor. The original sculpture stands in the church of Saint-Germain l'Auxerrois in Paris, with a second copy at the fountain square in St. Ulrich, which was copied from the original plaster model in Museum Gherdëina.

The carved, brightly painted, and partially gilded wooden sculpture of St. Ulrich stood in the old parish church at the cemetery. It is a late work by a sculptor from the Vinazer school and depicts St Ulrich, the patron saint, wearing a mitre and bishop's vestments, holding a staff, as well as a fish resting on the Book of Gospels. Ulrich was the Bishop of Augsburg around the year 1000. His veneration was brought to Gröden by the medieval lords of the manor.

The carved, painted, and gilded nativity scene of the Adoration of Jesus by the three kings was displayed during Christmas in St. Jacob's Church. A sculptor from the workshop of Kassian Melchior Vinazer carved it around 1760. In addition to Mary with the Christ child, the scene includes Joseph, Melchior, Caspar, and Balthazar. The representation of Balthazar as African emerged in Bohemia during the late Middle Ages and became popular throughout Europe.

The wooden sculpture of St. Martin on horseback with beggar comes from the workshop of the sculptor Vinazer around 1750. It depicts the legend of St. Martin coming across a semi-naked, freezing beggar. Having nothing but his weapon and garments upon him, he cuts his officer's cloak in two and offers the beggar one half.

The sculpture of a curly-haired angel with gilded wings, dating back to around 1700, may have been carved in the workshop of Christian Trebinger. Notable features include the delicate facial features, a white drapery with a gilded border and a cloud on which the right foot seems to rest.

The carved, painted, and gilded ceiling relief was probably made in the second half of the 17th century in the workshop of the sculptor Vinazer for the ceiling of St. Jakob's Church. It depicts God the Father with his right hand raised in blessing and his left hand resting on the orb and cross, set against a blue starry sky. He is surrounded by a wreath of clouds and four winged angels.