Students and teachers of both art schools in Gröden made a panelled room for the 1925 International Exhibition in Paris that was awarded the Grand Prix and three other medals for its sculptural features. The panelling is an example of the stylistic renewal going on in Gröden art during the wars, which was mainly thanks to the head of the art school at the time, Guido Balsamo Stella.

In 1925, both art schools in Gröden took part in the International Exhibition in Paris. Albino Pitscheider, a master in carving small works of art and art teacher in Wolkenstein from 1910 to 1924 as well as from 1919 to 1940, was awarded a gold medal along with his colleague Lusi Insam. The octagonal medal shows an allegory of spring on one side, while it has a bouquet of flowers on the other side. 

This crib in the shape of a 2.3-metre-high and 1.8-metre-wide winged altar was made in 1947 by Luis Insam from St. Ulrich for his family. The altar, reminiscent of neo-Gothic style, is carved from Swiss pine and is unvarnished. It depicts the three kings on their journey to Bethlehem, the shepherds' adoration and, on its wings, there are reliefs showing the nativity story, for which the artist deploys a rural farm setting.

Haus Tavella bears the name of the renowned sculptor, Franz Tavella, who came from Gadertal valley. He had a two-storey house with its own sculpture workshop built on the ground floor in 1890/91, where lots of young sculptors did their training, including Rudolf Moroder Lenért and Johann Baptist Moroder Lusenberg. In 1905, the sculptor Levije Antone (Luis Anton) Insam from St. Christina bought the house, where his son Luis carried out artistic work and trained young sculptors.

Villa ANRI in St. Christina, now a listed building, newly built in 1925, was used as the headquarters of the ANRI company founded in 1921 by Anton Riffeser. For this purpose, workshops, offices, warehouses, packing and exhibition spaces were housed here. ANRI products were sold as far away as the USA and in its heyday, the company employed up to 230 people. Production was moved to premises at Plan Tiefa in 1952 and ceased in 2021.

In 1872, Ferdinand Demetz da Furdenen opened the first public training workshop for sculptors in St. Ulrich. The multi-storey building on the eastern edge of St. Ulrich was purchased by the local council in 1938 and the art school that had in the meantime moved out moved back in again. In 1999, a new construction was set up on the spot of the original Cademia building, which houses the art school today.