Students and teachers of both art schools in Gröden made a panelled room for the 1925 International Exhibition in Paris that was awarded the Grand Prix and three other medals for its sculptural features. The panelling is an example of the stylistic renewal going on in Gröden art during the wars, which was mainly thanks to the head of the art school at the time, Guido Balsamo Stella.

The original summit cross at Sëurasas with the life-size figure of Christ comes from the young sculptors Vinzenz Peristi and Baptist Walpoth. It was fashioned out of Swiss pine in 1932 on that very spot on the mountain. The dramatic depiction of Jesus' emaciated body and anguished face is remarkable. Peristi fell during the Second World War, while Walpoth had already been killed in a hunting accident. There has been a replica in the place of the original since 1959.

In 1796, the new parish church was completed on land belonging to Panahof. The end of 1799 saw the consecration of the high altar by the Lombardy altar builder Stampa, which was to be replaced by a neo-romanesque altar by J. Schneider in 1870. Due to an increase in population, a transept was added after plans by J. Rifesser da Stufan, while the sculptoral features come from Gröden artists.