The wood carver Christina Rifesser was running a workshop in the old farmhouse Domur back in 1888. When Matthias Comploy inherited the farmhouse in Tieja from his mother in 1903, he turned it into a turn-of-the-century style villa and set up a private teaching workshop for sculpting and altar-building carpentry. As of 1910, the teacher Albino Pitscheider and his family lived here and Comploy had to auction the workshop after the First World War.

The SEVI company run by Vinzenz Senoner was (together with ANRI of Anton Riffeser) one of the most important employers in Gröden, with 140 employees and 200 workers from home, and it was one of Europe's leading wood carving producers. Haus Vastlé was constructed in 1831 by Senoner's father, Josef Anton, who started exporting small wooden figurines and toys. After construction of factory premises in Pontives in 1965, SEVI company headquarters were transferred there in 1977. Nowadays, there is a new building where the old one used to be.

Johann Baptist Moroder, son of Josef Moroder Lusenberg and himself one of the most important Gröden sculptors around 1900, built Villa Venezia in 1903/04 based on his own designs for a residence in neo-Renaissance style with a balustrade featuring marble wooden columns. A sculptor's studio and domed skylight were included. The mills from Planaces farm, the forge with furnace and a sawmill used to be in front of the newly built house.

The farmhouse on the border between St. Ulrich and St. Christina is divided in the direction of the roof ridge. The cellar has been there since the 15th/16th century, the farm since the 13th century. This is where the family of Christian Trebinger, the first baroque sculptor from Gröden, and, after 1651, Melchior Vinazer, who founded the Vinazer dynasty of sculptors and ran a prominent workshop for sacred art, lived. The house was renovated in 1992.

Plajes stands on visible layers of Gröden sandstone and was the birthplace and home to Jakob Sotriffer (1796-1856), the first teacher at the illustrating school founded in 1825. The school was even housed in Plajes at one point. There is an initial collection of Gröden wood carvings by Sotriffer, which he put together for the Ferdinandeum in Innsbruck in 1828 for documentation purposes. There are some examples of it in Museum Gherdëina.

This detached farmhouse separated from Scurcia, its mother farm, and was first mentioned in records in 1420. In 1520, it passed to the fraternity of St. Anna church, as is reflected in the name. This shared farmhouse was converted in the 20th century and the wooden 'palancin' structure turned into a balcony. The sculptor Franz Tavella and, later, the sculptor and crib carver Luis Alois Insam worked at Doss dl Preve in the 1890s. 

The dwelling is an original, fully stonewalled gothic construction from 1462/64. On the south-west façade there is a fresco of St. Florian, while an old church path runs past to the south. The farm building nearby was extended after the First World War in turn-of-the-century style and renovated a few years ago. Mureda, along with its neighbouring house Muradëures, have protected ensemble status and were the home of the sculptors Christian (1896-1968) and Eduard Moroder (1928-2010).

The farmhouse is the result of expansion of the original farm site in 1836 with a wooden, two-storey veranda. The sculptor Vinzenz Moroder (1889-1980) set up his workshop on the ground floor, which is still there today. The stations of the cross to Kreuz chapel, with originals in Museum Gherdëina, are by him. The name of the farm, Resciesa, was already mentioned in records in the 14th century, and means 'red rock/rubble' and is a reference to the porphyry that may be found in abundance near the farm.