The old Lusenberg farmhouse (in Ladin Jumbierch) was converted into a bourgeois dwelling in 1830 by Annamaria Pezlauzer Moroder. She was the grandmother of the sculptor and painter Josef Moroder (1846-1939), who added the name of the house to his own. Moroder Lusenberg set up his painter's atelier, which is still in its original state, on the upper floor. His second wife Felizita ran an antiques business from there. The sculpture workshop on the ground floor is also in its original state. Moroder's grandson, Harald Schmalzl, still works there today as a sculptor.

The wooden sculpture of Saint Barbara, patron saint of miners and railway workers, was carved by Johann Baptist Moroder in 1914. It was originally located in a specially designed niche above the former railway tunnel behind St. Ulrich parish church. The original is now in Museum Gherdëina, and a bronze copy is located near the old locomotive in Bahnhofstraße in St. Ulrich.

Johann Baptist Moroder, son of Josef Moroder Lusenberg and himself one of the most important Gröden sculptors around 1900, built Villa Venezia in 1903/04 based on his own designs for a residence in neo-Renaissance style with a balustrade featuring marble wooden columns. A sculptor's studio and domed skylight were included. The mills from Planaces farm, the forge with furnace and a sawmill used to be in front of the newly built house.

In 1872, Ferdinand Demetz da Furdenen opened the first public training workshop for sculptors in St. Ulrich. The multi-storey building on the eastern edge of St. Ulrich was purchased by the local council in 1938 and the art school that had in the meantime moved out moved back in again. In 1999, a new construction was set up on the spot of the original Cademia building, which houses the art school today.

In 1796, the new parish church was completed on land belonging to Panahof. The end of 1799 saw the consecration of the high altar by the Lombardy altar builder Stampa, which was to be replaced by a neo-romanesque altar by J. Schneider in 1870. Due to an increase in population, a transept was added after plans by J. Rifesser da Stufan, while the sculptoral features come from Gröden artists.